Robert Glasper's Genre-Bending Mix of Jazz, Hip-Hop, and R&B
There are many reasons to be excited about Robert Glasper's latest musical endeavour, even before giving it a first listen. Chief among them:
Radio: lacking categorization |
-Glasper, already a Grammy-nominated pianist/keyboardist of significant acclaim, is signed to Blue Note Records, long considered the standard-bearer for all things good in jazz and blues, and home to current innovators like Madlib, St. Germain, and Medeski Martin and Wood.
-Glasper, 33, is schooled in jazz, but like so many of his under-forty contemporaries, was raised on a steady dose of hip-hop. He has a demonstrated track record of straddling both genres, with stints playing keyboards on Q-Tip's acclaimed 2008 album The Renaissance, and current role as musical director for the touring band of the artist formerly known as Mos Def.
Glasper: lacking boundaries |
A pretty good start just on spec. The music does not disappoint. Badu soulfully "Badu-izes" the jazz classic "Afro Blue" ; Fiasco rhymes his signature Chicago-cool over Glasper's acoustic piano and a soaring vocal chorus from Bilal on "Always Shine" ; Bey jumps between machine-gun spoken word and vocal scatting on the album's jam-like title track ; Glasper even closes the album with a jazzed-out cover of the seminal Nirvana smash "Smells Like Teen Spirit," using a vocoder to funk-ify Kurt Cobain's famous lyrics.
Black Radio ; Completely experimental, totally unclassifiable, and undeniably cool:
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